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I reached out to Jacob after struggling to teach myself some basic sound/video techniques and not understanding some equipment I had purchased. I get overwhelmed easily with learning new things on my own, especially when it's something completely out of my wheelhouse; and I don't learn well from instruction manuals. So I explained to him that I needed someone to show me exactly how to use the equipment I had and tell me exactly what programs to use. I think I specifically said, "Don't give me options; it'll be too overwhelming. Just tell me: Buy this. Download this." And Jacob was 100% able to do exactly what I needed. I sent him links to the equipment I had, and he took the time beforehand to research some of the specs, showed me how to use them, and then followed up afterwards with links to better equipment for when I was ready to upgrade, as well as links to tutorials. (Again, I need information spoonfed to me; so this was helpful.) As far as teaching, Jacob knows that people learn by doing. So after he would show me how to hook something up, or record audio on a specific program, he would make me do it on my own to ensure I had retained the knowledge. This is huge for beginners and super helpful. Plus, when we weren't able to cover all the things I had initially planned, Jacob graciously offered to return to finish teaching me what I needed. I would 100% recommend him as an audio/video instructor, especially if you're a kinesthetic learner like me. Check out Tara on her Instagram, Soberish Yogi.
Jacob Stone's cinematography for Austin Under the Stars was nothing short of remarkable. From the captivating red carpet interviews to the dynamic b-roll and event highlights, he demonstrated an unmatched talent for capturing the festival's energy and spirit. If you're looking for a cinematographer who not only meets, but exceeds expectations, Jacob Stone is the professional you need. Check out Ali's website and check out his different festivals, LA Under the Stars, Austin Under the Stars, and Portland Under the Stars.
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